Concept and storytelling
We decide what story the piece tells and from whose voice. For Profoto, a Funko Pop! became the star of a light demo.
Profoto
Everything decided before the camera rolls: idea, script, art, locations, talent and logistics. It is what makes a piece look and feel like film.
We decide what story the piece tells and from whose voice. For Profoto, a Funko Pop! became the star of a light demo.
Profoto
We write the script and plan each shot before the set. Every SMS3W video began with a problem, solution and application script.
SMS3W
Look, set design, props and palette. For Lupita Tirado, the staging brought together Oaxaca’s architecture, styling and food.
Lupita Tirado
We look for places with character. For Videoplay we covered the desert, Paquimé and an old railway workshop in Casas Grandes.
VideoplayWe cast whoever lives the story. In the Tulum real estate film, one character moves through the house and the jungle.
Azen DesignPermits, access and on-site coordination. At DEACERO in Mexicali, the shoot followed the plant’s safety protocols.
DEACERO, SMS3W e InvernaliaA director’s treatment with the idea, script, storyboard, image and sound references, locations and schedule, so everyone arrives on set knowing which film we are making.
Concept, script and storyboard, art direction, location scouting, casting and production logistics.
Yes, we take your script into a shooting plan.
Yes, we scout and coordinate permits and access.
Yes, we cast talent and characters for each story.
It can be part of the production or separate. [ placeholder ]